Concept and creative process
Opening titles for a news and current affairs magazine programme which ran from 1969 to 1983. ‘Nationwide’ was the regional nationwide opt-out after the national early evening news bulletin. Julia Stone, under the influence of a recent trip to India, designed a lively animated mandala-style framework around the portrait vignettes of the key presenters. Unfortunately this decision became a bit of a liability as this film title sequence had to be re-shot every time there was a change of presenter, which was all too frequent. This is something that, with the benefit of today’s digital technology, would not be a problem at all of course. Programme captions in the pre-electronic era were mounted on cards and placed in front of a studio camera on the equivalent of a music stand. The captions for ‘Nationwide’ were printed black and white for economy reasons and coloured by hand using Magic Markers.
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Photographic prints, Polaroids and transparencies

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley

The photographic prints, Polaroids and transparencies are from the ‘Nationwide’ magazine show of the late 1970s, a programme which was screened live nightly. These are examples of work quickly produced by hand for live shows. Design by Brian Eley